PAOLO AND
FRANCESCA
Dante Alighieri (1265-1321)
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François-Auguste-René Rodin (1886)
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The story of Paolo Malatesta and
Francesca da Polenta is told in Inferno (part
of Divine Comedy) by Dante.
Paolo and Francesca were historical
contemporaries of Dante. Francesca's
father, Guido da Polenta, lord of Ravenna had waged
a long war with Malatesta, lord of Rimini. Finally
peace was made through intermediaries, and to make it more firm, they decided
to cement it with a marriage. Guido would give his
beautiful young daughter Francesca in marriage to
Gianciotto, eldest son of Malatesta.
Though Gianciotto was very capable and expected to
become ruler when his father died, he was ugly and deformed. Guido's
friends informed him that if Francesca sees
Gianciotto before the marriage, she would never go through with it.
So they sent Gianciotto's younger brother
Paolo to Ravenna with a full mandate to marry Francesca
in Gianciotto's name. Paolo
was a handsome, pleasing, very courteous man, and Francesca
fell in love the moment she saw him. The deceptive marriage contract was made,
and Francesca went to Rimini. She was not aware of
the deception until the morning after the wedding day, when she saw
Gianciotto getting up from beside her. When she realized she had
been fooled, she became furious. In any case, the feelings of
Paolo and Francesca for each other were
still very much alive when Gianciotto went off to
a nearby town on business. With almost no fear of suspicion, they became
intimate. Gianciotto's servant found them out, and
told his master all he knew. Gianciotto returned
secretly to Rimini and went to Francesca's room.
Since it was bolted from within, he shouted to her and pushed against the door.
Paolo and Francesca recognized his
voice, and Paolo pointed to a trapdoor that led to
a room below. He told Francesca to go open the
door as he planned his escape. As he jumped through, a fold of his jacket got
caught on a piece of iron attached to the wood. Francesca
had already opened the door for Gianciotto,
thinking she would be able to make excuses, now that Paolo
was gone. When Gianciotto entered and noticed
Paolo caught by his jacket. He ran, rapier in hand, to kill him.
Seeing this, Francesca quickly ran between them,
to try to prevent it. But Gianciotto's rapier was
already on its way down. Before reaching Paolo,
the blade passed through Francesca's bosom.
Gianciotto, completely beside himself because of this accident— for
he loved the woman more than himself— withdrew the blade, struck
Paolo again, and killed him. Leaving them both dead, he left, and
returned to his duties. The next morning, amidst much weeping, the two lovers
were buried in the same tomb.
One day, to pass the time away, we read
of Lancelot— how love had overcome him.
We were alone, and we suspected nothing.
And time and time again that reading led
our eyes to meet, and made our faces pale,
and yet one point alone defeated us.
When we had read how the desired smile
was kissed by one who was so true a lover,
this one, who never shall be parted from me,
while all his body trembled, kissed my mouth.
Dante (1265-1321)
InfernoV.82-142
Translated by Allen Mandelbaum
Auguste Rodin's famous sculpture, The Kiss (Le
Baiser), represents this story. The passionate love of
Francesca da Polenta and Paolo Malatesta
was a theme which Rodin had from the beginning decided was to
be a part of The Gates of Hell (which was never completed). He
had thought to present this romantic story in different aspects and The Kiss
was probably conceived as a portrayal of their earthly passion. When he
realized that this was unsuitable for the gates, Rodin removed
the figures to make them an individual statue. Among other works to be part of The
Gates of Hell was The Thinker which represents Dante
himself. The female model for The Kiss was Rodin's
student/lover Camille Claudel,
central figure of a movie starring
Isabelle Adjani and Gerard Depardieu.
Artists often show Paolo and
Franceca's first kiss after reading the story of
Lancelot and Guinivere from King
Arthur legend:
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François-Auguste-René Rodin (1840 - 1917) |

Amos Cassioli (1838-1891) |

Jean A. D. Ingres (1780-1867) |

Dante Gabriel Rossetti (1828-1882) |